𝐁𝐨𝐲𝐬 (𝟐𝟎𝟏𝟒)

Boys (Jongens, 2014) is a Dutch coming-of-age romantic drama directed by Mischa Kamp and written by Chris Westendorp and Jaap-Peter Enderle. The film follows the emotional journey of Sieger (played by Gijs Blom), a 15-year-old athlete who discovers his attraction to his teammate Marc (Ko Zandvliet). As Sieger navigates the challenges of first love, friendship, and self-acceptance, the film delicately explores themes of sexual identity, societal expectations, and the struggles of adolescence.

The story centers on Sieger, a quiet and introspective teenager who lives with his widowed father Theo (Ton Kas) and his rebellious older brother Eddy (Stijn Taverne). Sieger is part of a track and field team, training for an important relay race. During training, he befriends Marc, an outgoing and confident teammate. The two boys develop a close friendship, but Sieger soon realizes that his feelings for Marc go beyond simple camaraderie.

One day, during a playful moment by a lake, Marc unexpectedly kisses Sieger. Though caught off guard, Sieger does not push him away, indicating a mutual attraction. However, Sieger is hesitant to acknowledge his feelings, struggling with confusion and fear of how others might perceive him. He attempts to suppress his emotions by dating a girl named Jessica (Lotte Razoux Schultz), hoping to convince himself that he is not different.

As Sieger continues to deny his true feelings, Marc grows frustrated with his mixed signals. Meanwhile, Sieger's relationship with his father and brother is also tested, especially as Eddy frequently gets into trouble and challenges their father's authority. The tension in Sieger’s personal life adds to his inner turmoil, making it even more difficult for him to accept his love for Marc.

When the team travels for a competition, Sieger and Marc share another intimate moment. This time, Sieger’s desire is more evident, but his fear of societal judgment holds him back. He ultimately pulls away from Marc, leaving him heartbroken. However, as the story progresses, Sieger begins to reflect on his choices and emotions. After witnessing his brother’s reckless behavior and experiencing the emotional weight of his repression, Sieger finally finds the courage to accept his feelings.

In the film’s heartfelt conclusion, Sieger runs after Marc, finding him riding his bicycle. In a silent but powerful moment, they exchange glances and smile, suggesting a hopeful future where Sieger is ready to embrace who he truly is.

Boys beautifully captures the innocence and emotional intensity of first love. Unlike many LGBTQ+ films that focus on struggles with external homophobia, this movie presents a more personal and introspective journey. The conflict comes mainly from Sieger’s internalized fears rather than from an overtly hostile society. This makes the story feel universal and relatable to anyone who has ever struggled with self-acceptance.

The film is praised for its subtle and naturalistic performances, especially from Gijs Blom and Ko Zandvliet, whose chemistry makes the romance feel authentic and heartfelt. The cinematography, with its soft lighting and lush outdoor settings, adds to the film’s intimate and dreamlike atmosphere.

Boys was originally produced for Dutch television but gained international recognition, becoming a favorite among fans of LGBTQ+ cinema. It has been lauded for its positive and hopeful ending, which contrasts with the often-tragic narratives in queer films.